On his debut album, Childish Mind, guitarist and electronic musician Jonathan Bockelmann presents a series of light, serene acoustic guitar vignettes. The Munich-born musician has studied classical guitar for about two decades, perfecting his technique and gaining mastery of the instrument alongside work with his electronic duo GLASKIN. With GLASKIN, which features Jonathan and his brother Ferdi, he has explored his compositional vision, weaving genres like IDM, Ambient, jungle, and techno together. Childish Mind sees him explore a new compositional path by crafting delicately interwoven melodies for the acoustic guitar. From the gentle webs and patterns Jonathan creates, there’s a sense of meditativeness throughout the album—his music radiates out, filling moments with a sense of ease and calmness.


All compositions by Jonathan Bockelmann
Recorded by Tobias Ober at Bonello Studios, Berlin
Mixed and Mastered by Martin Ruch
Lacquer cut by Sidney Meyer at EBS, Berlin
Produced by Martin Brugger
Art Direction by Maximilian Schachtner
Photography by Valentine Cascailh
Design by Valentine Cascailh and Maximilian Schachtner

Jonathan began writing Childish Mind after spending some time transcribing music by Japanese composer Ryuichi Sakamoto, whose work often sprawls out with airiness. He hadn’t composed before, but once he set his mind to it, it came easily, like something that had been built up inside of him over the course of his musical life. His inspirations come from composers like J.S. Bach, whose complex and emotionally resonant solo works have long been a mainstay of classical string repertoire, and Leo Brouwer, a Cuban guitarist and composer whose work finds a balance between virtuosic techniques and lovely melodies. By composing, Jonathan aims to add new ideas to the ever-evolving acoustic guitar repertoire, using his background as a starting point to help make new musical possibilities for the instrument.

He composed Childish Mind over the course of a year, often focusing on the types of melodies that have called to him throughout his career as a guitarist and since his youth. His composition process begins with a simple melody. He starts from that core motif, and then branches out, finding the rhythms and harmonies that might complement it. Nature is often an inspiration in his work, the idyllic natural world serving as a source of ideas for his playful, yet meditative sound.

Much of the music on Childish Mind feels built from intuition, focused on the feelings melodies and sounds might conjure up. This music is all about the floating atmospheres the acoustic guitar can create all on its own. “Whitepoint” opens the album with a sense of openness, a laid-back flow driven by cascading rolls and simple melodies; later on, on pieces like the title track, Jonathan takes on a quicker pace, finding a balance between groovy, fast-paced runs that are full of peppy energy. Each track effortlessly blossoms from the next, creating the sense of contemplativeness that colors the album as a whole.

Many of the ideas he explores throughout Childish Mind are born from thoughts he’s had for many years, leading to the album’s title. There’s a wondrousness to his compositions that never fades—not unlike a childlike discovery and curiosity. Jonathan finds space in simplicity, letting every melody tumble out with effervescence.
Words by Vanessa Ague

  • The Honest Broker

    12.03.23
    Eleven New Albums I'm Recommending Right Now

    The most ear-pleasing releases continue to arrive from unexpected places. Consider the case of Munich-based Jonathan Bockelmann. If you know him at all, it’s probably from his intensely electronic music as part of the techno trio Glaskin—it sounds like this. But who would guess that he’s one of the most creative acoustic guitarists in Europe? Bockelmann has been playing classical guitar for two decades, and now—finally—releases a debut solo album.

    He plays fresh, unfettered music with total authority in a lick-free zone. Although his claimed influences include such disparate voices as Ryuichi Sakamoto, Leo Brouwer, and J.S. Bach, there’s nothing derivative in these guitar vignettes. Frankly, I’m surprised that Manfred Eicher didn’t sign this hometown lad to a contract. He deserves a larger platform than just an unheralded indie release. But consider yourself now in the know.

    Read Review
  • 15 questions

    20.01.23
    Forcing myself will never help me find the right ideas!

    Where does the impulse to create something come from for you? What role do often-quoted sources of inspiration like dreams, other forms of art, personal relationships, politics etc play?

    Back when I was a child the impulse came from the immense fascination I had with music as a phenomenon itself. I felt that I have a voice that can be expressed through music.
    Then later in life - after I studied Classical Guitar at the University of Music in Munich - I always tried to find the perfect repertoire for me to start recording my debut LP. For some reason I never found the right pieces.
    I didn't identify with a lot of the repertoire that the Guitar is so famous for, nor did I want to be another Interpreter to record a transcription piece by Bach or other classical composers. There was so little music composed for this instrument that actually moved me personally. So all of this created the urge or the impulse for me to start composing. I played the Guitar for over two decades so I knew I am capable of extracting all the beautiful sounds of this very complex instrument.
    Beside that - common inspirations like taking a walk through nature, looking at different art forms and especially daily life definitely spark a need for me to capture moods through compositions.

    Read Review
  • Zen Sounds

    18.02.23
    The German classical guitarist evokes a sense of awe and wonder on his debut album »Childish Mind«

    Musically, I’ve been looking forward to present today’s album to you for a while. Let me preface this by saying the concept of a solo acoustic guitar record usually doesn’t provoke excitement in me. But I’ve followed Munich-based quasi-jazz label Squama closely over the years, and much of their stuff has been right up my alley, so when they announced »Childish Mind« with the first single »Lihan«, I definitely wanted to give it a shot.

    Lo and behold, by the first few chords, Jonathan had already won me over. And I’ve been in love with this record ever since.

    Read Review
  • Jonathan Bockelmann


    The Munich-born musician has studied classical guitar for about two decades, perfecting his technique and gaining mastery of the instrument alongside work with his electronic duo GLASKIN. With GLASKIN, which features Jonathan and his brother Ferdi, he has explored his compositional vision, weaving genres like IDM, Ambient, jungle, and techno together.

    • Childish Mind

      180g vinyl

      • Stil:
      € 25
      • Childish Mind (Sheets for Acoustic Guitar)

        32 pages booklet risograph printed on Munken paper

        € 20
        • Sakamoto on Guitar

          180g vinyl, first pressing comes with an embossed art print
          *Pre-order item. Ships around November 2024*

          € 27